Thanks to everyone who came out to our screening at the Morbid Anatomy Museum on Thursday January 14th. Fantastic to have our New York premiere with a sold-out crowd in such an interesting and engaging cultural space. So great that Brooklyn funeral director Amy Cunningham of Fitting Tribute Funeral Services and Ralph White of New York Open Center were in attendance in order for us to be able to connect local audiences with how they can engage Natural Death Care in New York City! Whether you’re living in the country or a major city, we can all #DoDeathDifferently.
Thanks to Kilian Melloy of Edge Media Network for his thoughtful and in-depth article on Zen & the Art of Dying in advance of our Jan. 14, 2016 Morbid Anatomy Museum screening. Melloy writes:
Openly gay documentary filmmaker Broderick Fox goes places others might not wish to venture, and does it with heart and grace. An early short documentary examined his brush with body dysmorphia (anorexia and compulsive exercise); his first full-length documentary, “The Skin I’m In,” featured at film festivals around the country a couple of years ago, examined Fox’s own experiences with addiction and alcoholism.
Now Fox follows up with “Zen and the Art of Dying,” a project that took him to Australia to meet and film Zenith Virago, a self-trained “deathwalker” who has made a profession of helping people — sick and well, young and old — think about and prepare for the eventuality of shuffling off this mortal coil. Read full article
We’re excited to start 2016 with a screening of Zen & the Art of Dying at the Morbid Anatomy Museum in Brooklyn, New York. The screening will take place at 8 PM, Thursday Jan. 14, 2016, and filmmaker Broderick Fox and executive producer Lee Biolos will be in attendance for a post-screening discussion. Tickets and full details available here.
About the Morbid Anatomy Museum: “The Morbid Anatomy Museum is a new 4,200 square foot non-profit institution dedicated to the celebration and exhibition of artifacts, histories and ideas which fall between the cracks of high and low culture, death and beauty, and disciplinary divides.”